Nino Rodriguez

1968Born in Los Angeles.
1989B.A. with Honors, Motion Pictures-Television, University of California, Los Angeles (UCLA).
1994M.F.A. with Honors, Film-Television Production, UCLA. Additional research in experimental film theory, and music composition.
PresentLives and works in Madison, Wisconsin.


FESTIVALS & EXHIBITIONS

2008 The Audacity of Desperation. Organized by Jessica Lawless and Sarah Ross. Traveled to:
Sea and Space Explorations. Los Angeles.
DEMO Space 122 at PS122 Gallery. New York.
Urbana-Champaign Independent Media Center. Urbana, Illinois.
"Propaganda III." START SOMA Gallery. Organized by John Doffing. Traveled to:
The Poetic Bureau. Copenhagen, Denmark.
2007 "Robots Will Kill." Alias Gallery. Indianapolis, Indiana.
"Propaganda III." START SOMA Gallery. Organized by John Doffing. Traveled to:
Phoenix Hotel. San Francisco, California.
J Black's Lounge. Austin, Texas.
"Sticker and Stencil." Space Gallery. San Francisco, California.
Epidemic Peace Imagery. Social Justice Center, Madison, Wisconsin. Curated by Russell Gardner.
2006 Peel Here 2006 – Make Your Mark XX. The Ghetto Mansion, Los Angeles. Curated by Richard Ahrens, AKA "Sticky Rick."
Epidemic Peace Imagery. In the Company of Thieves, Madison, Wisconsin. Curated by Russell Gardner.
Art for Change: A Peace Campaign. Winnebago Studios, Madison, Wisconsin. Organized by Catherine Martin for Madison Women for Peace.
2005 Peel Here. The Ghetto Mansion, Los Angeles. Curated by Richard Ahrens, AKA "Sticky Rick."
"Project: Propaganda." project:gallery. Los Angeles.
"Propaganda 2.0." START SOMA Gallery. Blue Cube, San Francisco, California.
7th Annual 911 Power to the Peaceful Festival. Golden Gate Park, San Francisco, California.
North of Nowhere Expo: Festival of Independent Media and Underground Art. Stanley A. Milner Library, Edmonton, Alberta, Canada.
"Act Up Fight Back: Art and Activism in the Time of AIDS." FILM LOVE at Eyedrum. Atlanta, Georgia. Curated by Andy Ditzler.
"2004 en el Mundo: Más Bush y más guerra." ARTE.RED 6.0 at ARCO 2005 International Fair of Contemporary Art. Madrid, Spain. Curated by Roberta Bosco and Stefano Caldana.
"Malas Noticias / Bad News (Design for Solidarity)." Un Mundo Feliz / A Happy World. Madrid, Spain.
"WAR + Campaign on Iraq Poster Exhibition." Miniaturegigantic.com.
2004 "Put Up or Shut Up." Track 16 Gallery. Santa Monica, California.
"vrsn.NET_WORKS". Version>04: invisibleNetworks. Chicago.
2003 "The Language of Terror: ANTI-WAR.US Graphics." Optic Arts Gallery. Portland, Oregon. Curated by Joshua Berger and Jon Steinhorst.
"Free Anti-War Activist Graphics." ANTI-WAR.US.
2002 "NAVIGATE" and "Surburban Sites/Insights." TV or NOT TV -- LA Freewaves’ 8th Celebration of Experimental Media Arts. UCLA EDA Space, Los Angles, and Glendale College Art Gallery, Glendale, California. Curated by Cathie Davies.
"Impromptu: Improvisation with Digital Media." California Museum of Photography. University of California at Riverside, Riverside, California. Curated by Cathy Davies.
Biennale de Montréal. Montréal, Canada. Curated by Anne-Marie Boisvert.
FILE Electronic Language International Festival. Sao Paolo, Brazil.
"Mirror at the Bottom -- artists portraiting themselves." A Virtual Memorial and Le Musée di-visioniste. Curated by Agricola de Cologne.
"Network Technology for the Creative and Critical." Mediatopia.net. Curated by Lara Bank and Andrew Bucksbarg.
Smoking Mirrors. Kinross Gallery, UCLA; Kerckhoff Gallery, UCLA; and Arts in Action. Los Angeles.
"FREE MANIFESTA." Manifesta 4, the European Biennial of Contemporary Art. Frankfurt am Main, Germany. Curated by Sal Randolph.
The Free Biennial. New York. Curated by Sal Randolph.
"The Open Museum Net.Art." The Irish Museum of Modern Art. Virtually curated by Arthur X. Doyle.
2001 "The Portrait Issue." INCIDENT.NET V.5.
"Digital DUMBO." Mastel + Mastel Gallery. Brooklyn, New York. Curated by Elissa Jane Mastel.
2000 "First-Person Singular." Fever in the Archive. The Solomon R. Guggenheim Museum. New York. Curated by Jim Hubbard and co-organized by John G. Hanhardt.
"F I L E (Festival Internacional de Linguagem Eletronica)". Museum of Image and Sound. Sao Paolo, Brazil.
"MTN Digital/Electronic Art Exhibition." Urban Futures Conference. Gertrude Posel Gallery, Johannesburg, South Africa. Curated by Rory Doepel and Marcus Neustetter.
"Big as Life: An American History of 8mm Films." The Museum of Modern Art. New York. Curated by Steve Anker and Jytte Jensen.
1999 "Watching the Seams -- Unravelling the Thread." WRO 99 -- 7th International Media Art Biennale -- The Power of Tape. Wroclaw, Poland. Curated by Ermeline Le Mezo.
"Identity Mutations." Contact Zones: The Art of CD-ROM. Cornell University, Ithaca, New York. Curated by Timothy Murray. Traveled to:
Virginia Film Festival. Charlottesville, Virginia.
Centro de la Imagen. Mexico City, Mexico.
Hobart & William Smith Colleges. Geneva, New York.
"Romarias: The End of ROM and the Creative Possibility." VideoLisboa 99 Festival Internacional de Video de Lisboa. Museu da Cicade, Lisbon, Portugal. Curated by João Sarmento.
1998 "Video Art Competition." Billboard Live. West Hollywood, California. Public exhibition on two large-screen monitors.
"Big as Life: An American History of 8mm Films." The Museum of Modern Art. New York. Curated by Steve Anker and Jytte Jensen.
The Athens International Film & Video Festival. Athens, Ohio.
1997 "Digital Studies: Being in Cyberspace." Alt-X Online Publishing Network. Curated by Mark Amerika and Alex Galloway.
"Meme Me: Identity in the Replication Age." Artemisia Gallery. Chicago. Curated by Louise McKissick.
"Interactivos y QuickTimes." 4o Mostra de Vídeo Independent & Fenòmens Interactius. Centre de Cultura Contemporània de Barcelona, Barcelona, Spain.
"Maid in Cyberspace." Le Festival XX d'art WWW. Studio XX, Montreal, Canada.
"Imagen Digital." Festival Internacional de la Imagen. Caldas University, Manizales, Colombia.
"DIG IT: Digital Art, the Next Generation." Limn Gallery, San Francisco, California.
10th Annual Dallas Video Festival. Dallas Museum of Art, Dallas, Texas. (Award winner.)
1996 Lumiere International Interactive Film Festival. Online showcase hosted by Hyperbole Studios, Seattle, Washington.
DNP Award '96 for Internet Art. Tokyo, Japan. (Award winner.)
Cybermind Conference 96. Curtin University of Technology, Perth, Australia.
Imagination and Hypertext. Computer-Mediated Communication Online Magazine, Volume 3, Number 12.
30th Annual New York Exposition of Short Film and Video. The New School, New York. (Award nominee.)
2do Festival Internacional de Video y Artes Electrónicas. Buenos Aires, Argentina.
The GRAND Animation Competition. Tru Realities (online). (Award winner.)
"Of(f) the W.W.Web: Network Culture/Cultural Networks." European Media Art Festival 1996. CD-ROM and online exhibition. Osnabrück, Germany. Curated by Heiko Idensen.
New York International Video & New Media Festival. New York.
Chicago Underground Film Festival. The Theatre Building, Chicago.
"Burning the Interface <International Artists' CD-ROM>." Museum of Contemporary Art. Sydney, Australia. Curated by Mike Leggett. Traveled to:
Brisbane City Hall Gallery and Museum. Brisbane, Australia.
Perth Institute of Contemporary Art. Perth, Australia.
Experimenta. Centre for Contemporary Photography. Melbourne, Australia.
Interact. Melbourne, Australia.
Ngapartji. Adelaide, Australia.
"Thethuthenang." Eventworks 96. Presented by the Massachusetts College of Art. Institute of Contemporary Art, Boston. Produced by Sharon Benedict.
THAW 96. University of Iowa Museum of Art, Iowa City, Iowa.
Macxibition 96. MYMUG's MacFair, New York. (Award winner.)
"Representing It: Documentary Photography Reconsidered." Alternatives '96. Seigfred Gallery, Ohio University School of Art, Athens, Ohio. Curated by Susan Meiselas.
1995 "World AIDS Day." RISD Museum of Art. Rhode Island School of Design, Providence, Rhode Island.
Video Altars. Palo Alto Cultural Center, Palo Alto, and Falkirk Cultural Center, San Rafael, California.
"New Media Expo." Denver International Film Festival. Denver, Colorado.
"Portraits in Cyberspace." A Day in the Life of Cyberspace. Massachusetts Institute of Technology [MIT] Media Laboratory.
"OutPut." Artists' Digital Access. Artists' TV Access, San Francisco, California. Curated by Rex Bruce.
"Technology and Interpretation." Robert Flaherty Seminar. Wells College, Aurora, New York.
Digital Madness. University of California, Los Angeles.
Hamburg International Short Film Festival. Hamburg, Germany.
"AIDS: The Intimate Stories." New York Lesbian and Gay Film Festival. Joseph Papp Public Theater, New York. Curated by Jim Hubbard.
5th International WRO 95. Wroclaw, Poland.
13th World Wide Video Festival. The Hague, Netherlands.
"AIDS na Tela." MIX Brasil 94: Festival das Manifestacoes da Sexualidade. Sao Paulo, Brazil. Festival toured to Rio de Janeiro, Brasilia, Salvador, and four other cities in Brazil. Curated by Tania Cypriano.
Candid Camera? A conference on censorship and the limits of expression. Muzeum Kinematografii, Lodz, Poland.
Black Maria Film/Video Festival. New Jersey. (Award winner.)
1994 Canadian International Annual Film Festival. Hamilton, Ontario, Canada. (Award winner.)
"Interactive Zone." Dallas Video Festival. Dallas Museum of Art, Dallas, Texas.
"Five Dramas." Sinking Creek Film/Video Festival. Vanderbilt University, Nashville, Tennessee.
2nd Annual Social Outcast Film & Video Festival. IMAGE Film/Video Center, Atlanta.
LACE Video Annuale. Los Angeles Contemporary Exhibitions, Los Angeles. Curated by Bill Horrigan.
Light and Time. Chicago Filmmakers, Chicago. Curated by Kathleen Kirka.
Videonale 6. Bonner Kunstverein, Bonn, Germany.
"Re: Acts." Visible Evidence II. University of Southern California, Los Angeles. Curated by Holly Willis.
Festival der Nationen. Ebensee, Austria. (Award winner.)
"LiebesLeben." Der Bundeszentrale für gesundhietliche Aufklärung (BZgA). An AIDS education exhibit organized by the German Federal Ministry of Health travelling to numerous cities including the Bonn Münsterplatz, 9-15 May; also, Cologne, Erfurt, Frankfurt, Magdeburg, and Neubrandenburg.
First International Film Festival "ETIUDA '94." Krakow, Poland.
Lou de Cris Cafe. Los Angeles.
36th Annual Rochester International Independent Film Festival. Rochester, New York. (Award winner.)
"Emerging American Filmmakers Showcase." Rivertown International Film Festival. Minneapolis, Minnesota.
Visual Artists' Fourth Annual Film and Video Festival. San Jose State University, San Jose, California.
The Smoky Mountain Media Festival. North Carolina. (Award winner.)
Full House -- A Nite of Movies. Massachusetts and New York state. Produced by Michael Ellenbogen. Traveled to:
Albany Junior College. Albany, New York.
Steamer Ten. Albany, New York.
Boston Museum School. Boston.
Cafe Lina. Saratoga, New York.
"612". New York.
Limbo. New York.
Border's Books and Music. Albany, New York.
"Master Home Movies." 23rd Rotterdam Film Festival. Rotterdam, Netherlands.
1993 World AIDS Day Festival. Balazs Bela Studio Foundation, Budapest, Hungary.
Real AIDS Symposium. Grazer Kunstverein, Graz, Austria. Curated by Tania Cypriano.
"Die Krankheit, das Sterben und der Tod - Szenen und Dokumente." Videonale Intermezzo. Kunstmuseum Bonn, Bonn, Germany. Curated by Andreas Denk.
"...and then there was AIDS." Second AIDS Filmfestival. Nijmegen, Netherlands.
64th American International Film and Video Competition. (Award winner.)
34th Brno Sixteen. Brno, Czech Republic.
9th Chicago Latino Film Festival. Chicago.
11th Annual Central Florida Film and Video Festival. Orlando Museum of Art, Orlando, Florida.
10th Anniversary Suffolk Film and Video Festival. New York. (Award nominee.)
Video Visions. Electronic Cafe International, Santa Monica, California.
SIGGRAPH '93. A collaboration with members of the i.e. (Interactive Expressions) salon. Anaheim, California.
"Macho Men/Violent Femmes." UCLA Festival '93. University of California, Los Angeles.
"Passageways." City Lore Festival of Film and Video. New York.
"Living in the Moment: Confronting Mortality." Earthpeace International Film Festival. Burlington, Vermont.
Main Street Fine Arts Festival Video Exhibition and Competition. Fort Worth, Texas. (Award winner.)
Film Festival Rotterdam. Rotterdam, Netherlands.
Invideo - AIACE Festival. Milan, Italy.
1992 New Angle Video Festival. New York.
"A Day Without Art." Museum of Modern Art. New York.
"Erotica." Dark Fiction Film Festival. Los Angeles. (Award winner.)
Climage. Lausanne, Switzerland.
2nd Mondial de la Video. Brussels, Belgium. (Award winner.)
About Sex. Video In Centre, Vancouver, Canada. Curated by Adriene Jenik and Thomas Allen Harris.
"Complaint and Accusation." VIPER '92 - 13th International Film and Videofestival of Lucerne. Lucerne, Switzerland.
"Con la Lengua en la Camera: We Name Ourselves." L.A. Freewaves. EZTV, Los Angeles. Curated by Chris Ortiz.
"Point de Mire." Nouvelles Scenes. Dijon, France.
Videonale 5. Bonner Kunstverein. Bonn, Germany. Traveled to:
Medienwerkstatt Wien. Vienna, Austria.
Video-Forum des Neuen Berliner Kunstvereins. Berlin.
38th Annual Robert Flaherty Seminar. Wells College, Aurora, New York.
"Landscapes." Los Angeles International Gay and Lesbian Film and Video Festival. Los Angeles. Curated by Meena Nanji.
"Power and Desire." Albright-Knox Art Gallery, presented by the Center for Exploratory and Perceptual Art (CEPA). Buffalo, New York. Curated by Lawrence F. Brose.
"In the Blind Spot of Reason." 6th International Video and Television Festival of Montbeliard. Centre International de Creation Video (CICV), Herimoncourt, France. (Award winner.)
Ackerman Student Union Bookstore. University of California, Los Angeles.
"Short Experimental Documentary." Athens International Film and Video Festival. Athens, Ohio. (Award nominee.)
Black Maria Film and Video Festival. Included screenings at many major sites throughout the USA. (Award winner.)
Zone Art Center. Springfield, Massachusetts.
Bennington College. Vermont.
14th Annual National Short Film and Video Competition. USA Film Festival, Dallas, Texas. (Award nominee.)
"We Are All Living With AIDS." Muu Media 92 Festival. Helsinki, Finland. Curated by Catherine Saalfield.
Institute of Contemporary Art. Boston, Massachusetts.
Hartford Art School. Connecticut.
FilmForum. Los Angeles Contemporary Exhibitions, Los Angeles.
Pittsburgh Filmmakers. Pittsburgh, Pennsylvania.
"Queer Reels." Pacific Film Archive. Berkeley, California. Curated by Jim Hubbard.
1991 "Counter Acts." Amsterdam Gay and Lesbian Film Festival. Amsterdam, Netherlands.
11th Chicago Lesbian and Gay International Film Festival. Chicago Filmmakers, Chicago.
Dallas Video Festival. Dallas, Texas.
"Act of Video." Downtown Community Television's Third Annual Video Festival. DCTV, New York.
American Film Institute National Video Festival. American Film Institute, Los Angeles.
20th Montreal International Festival of New Cinema and Video. Montreal, Canada.
"No More Heroes: Unveiling Masculinity." San Francisco Camerawork. San Francisco, California. Curated by Barbara DeGenevieve.
Fifth New York Lesbian and Gay Experimental Film Festival (NYLGEFF). Anthology Film Archives, New York.
Canadian International Annual Film Festival. Ottawa, Ontario, Canada. (Award winner.)
Identities (Single-channel and Installation Versions) - UCLA Visions. University of California, Los Angeles.
Rochester International Amateur Film Festival. Rochester, New York. (Award winner.)
"Short Experimental Narrative." Athens International Film & Video Festival. Athens, Ohio.
"Progressive Short Independents." 15th Cleveland International Film Festival. Cleveland, Ohio.
Sacramento International Film & Video Festival. Sacramento, California. (Award winner.)
Los Angeles Freewaves 2nd Celebration of Independent Video. University of Southern California, Los Angeles.
1990 Tenth Chicago Lesbian and Gay International Film Festival. Chicago.
"Dealing with AIDS." Dallas Video Festival. Dallas Museum of Art, Dallas, Texas.
"The Better to See You With, My Dear." DCTV's Second Annual Video Festival. DCTV, New York. Curated by Maria Beatty and Kristen Thomas.
Marin County Film/Video Festival. Marin, California. (Award winner.)
"Set in the West." Film Crash West. Los Angeles.
"Fair Vision Ratio presents Meat and Potatoes." 911 Contemporary Arts Center. Seattle, Washington. Curated by Annie Ferguson.
Sacramento International Film and Video Festival. Sacramento, California. (Award winner.)
"Dynamic Video Duo." San Antonio CineFestival. Guadalupe Cultural Arts Center, San Antonio, Texas. (Award winner.)
1989 International University Student Video Contest. Montreal, Canada. (Award winner.)
"Image Processing." Dallas Video Festival. Dallas Museum of Art, Dallas, Texas.
"Theatre - Danse - Litterature -Peinture." 18th Montreal International Festival of New Cinema and Video. Montreal, Canada.
Show the Right Thing: A National Conference on Multicultural Film and Video Exhibition. 1988 American Film Institute Video Festival Reprise, New York University, New York.
UCLA Vision '89. University of California, Los Angeles.
New Angle International Video Festival. Collective for the Living Cinema, New York.
8th Annual Video Shorts Festival. Seattle, Washington. (Award winner.)
Athens International Film and Video Festival. Athens, Ohio. (Award winner.)
National Hispanic Academy of Media Arts and Sciences' 1989 National Hispanic Media Conference. San Juan, Puerto Rico.
1988 "Cultural Diminish: New Social Video." Media Alliance Conference. New York. Curated by Reginald Woolery.
"In Living Color: Representations of Race and Civil Rights." American Film Institute Video Festival. American Film Institute, Los Angeles. Curated by Claire Aguilar and Reginald Woolery.
End of the Year Video Screening. University of California, Los Angeles.


BROADCAST & CABLECAST

1997 "Videos at Large." In Your House: A Film Festival. Cable access, La Grande and Island City, Oregon.
1996 Free Speech TV (FSTV). Cable access network, USA.
"International Award for Video Art (Internationaler Videokunstpreis) 1996." Südwestfunk (SWF), Germany, and Österreichischen Rundfunk (ORF), Austria. (Award nominee.)
1995 Video Altars. Cablecast on Cable Coop/MPAC Channel 6, Palo Alto, and Viacom Channel 31, Marin, California.
1993 CANAL+. France.
"Frame of Mind" (Public Television series). KERA Channel 13, Dallas, and KDTN Channel 2, Denton, Texas.
1992 "Independent Focus." Thirteen/WNET. New York. Produced by Cara Mertes.
"Through the Lens" (Public Television series). WYBE-TV-35, Philadelphia, Pennsylvania.
1991 "BeunaVision Presents...Neo-Videos del Este." L. A. Freewaves. Live cablecast, Los Angeles. Curated by Frances Salome España.
1989 Cornell Cinema. Cablecast at Cornell University, Ithaca, New York.


SELECTED AWARDS & HONORS

1997 Best of the Decade - Identities.
10th Annual Dallas Video Festival. Dallas Museum of Art, Dallas, Texas.
1996 Achievement Award for Internet Art - Face Value.
DNP Award '96. Tokyo, Japan.
Nomination - Boy.
30th Annual New York Exposition of Short Film and Video. The New School, New York.
Nomination - Boy.
International Award for Video Art (Internationaler Videokunstpreis) 1996. Sponsored by Südwestfunk (SWF) and Zentrum für Kunst und Medientechnologie (ZKM), Germany, and Österreichischen Rundfunk (ORF), Austria. Curated by Bernhard Foos, Rudolf Frieling and Christian Riehs.
First Place - Who Is on the Edge?
The GRAND Animation Competition. Tru Realities (online).
1995 Director's Citation - Boy.
Black Maria Film/Video Festival. New Jersey.
1994 Ebenseer Bären in Bronze - Wake.
Festival der Nationen. Ebensee, Austria.
Honorable Mention - Wake.
36th Annual Rochester International Independent Film Festival. Rochester, New York.
1993 Second Place - Identities.
Main Street Fine Arts Festival Video Exhibition and Competition. Fort Worth, Texas.
1992 Special Mention - Infarct.
"Erotica." Dark Fiction Film Festival. Los Angeles.
Prix Special du Jury - Identities.
2nd Mondial de la Video. Brussels, Belgium.
Special Mention - Identities.
"In the Blind Spot of Reason." 6th International Video and Television Festival of Montbeliard. Centre International de Creation Video (CICV), Herimoncourt, France. Jury: Lynn Hershman, Danièle Nyst, Alain Bourges, Muntadas and Klaus vom Bruch.
Director's Choice - Identities.
Black Maria Film and Video Festival. Traveled to many venues throughout the USA.
1991 Special Commendation - Infarct.
Canadian International Annual Film Festival. Ottawa, Ontario, Canada.
Best of the Fest - Infarct.
Rochester International Amateur Film Festival. Rochester, New York.
1990 Premio Mesquite Honorable Mention - Experimental - Somaphon.
"Dynamic Video Duo." San Antonio CineFestival. Guadalupe Cultural Arts Center, San Antonio, Texas.
Honorable Mention - Somaphon.
Sacramento International Film and Video Festival. Sacramento, California.
1989 Judges' Pick - Somaphon.
8th Annual Video Shorts Festival. Seattle, Washington.
Honorable Mention - Somaphon.
Athens International Film and Video Festival. Athens, Ohio.


BIBLIOGRAPHY

23rd International Film Festival Rotterdam. "Master Home Movies." Catalogus (Rotterdam, Netherlands: January 26-February 6, 1994), p. 187.
Aguilar, Claire, and Reginald Woolery. "In Living Color: Representations of Race and Civil Rights." 1988 American Film Institute Video Festival (Los Angeles: The American Film Institute, October 27-30, 1988), p. 29.
Andrew, Paul. "CD-ROMs: doing art." Capital Q-Xtra (Australia: April 5, 1996).
Ball, Edward. "How the Other Half Progresses." The Village Voice (New York: November 19, 1991), p. 62.
Baxter, Virginia, and Keith Gallasch. "At the time and space of interface." Real Time (Australia: June/July 1996).
Bennett, Justin; Vicente Carretón; and Tom van Vliet. "Introduction." 13th World Wide Video Festival Programme Book (The Hague, Netherlands: April 27-30, 1995), p. 8.
Boisvert, Anne-Marie. Biennale de Montréal (Montréal, Canada: Centre International d'Art Contemporain de Montreal, September 26-November 3, 2002).
Bordowitz, Gregg. "Protest, Identity..." The Guardian, vol. 43, no. 39 (September 11, 1991).
Bosco, Roberta, and Stefano Caldana. "Más Bush y más guerra. 2004 en el Mundo." ARTE.RED 6.0 (Madrid, Spain: ARCO 2005 International Fair of Contemporary Art, February, 2005).
Chavez, Paul. "Political Artists Awakening in Unprecedented Numbers." Associated Press, (October 14, 2004).
Côté, Mario. "Ennui en Note." 24 Images, no. 59 (Canada: 1991), p. 57. In French.
De Bruyn, Dirk Cornelis. "Homing In on the Hypertextual Documentary." Metro, no. 112 (Brisbane, Australia: 5th International Documentary Conference, 1997), pp. 63-69.
Denk, Andreas. "Rivalry Triumphant - Video and the Other Arts." Videonale 5 (Bonn, Germany: September 15-20, 1992), p. 97.
Duralde, Alonso. "Everything from ACT UP to Lucy." Dallas Voice (Dallas, Texas: November 8, 1991), pp. 1 and 25.
Federspiel, Stefan. "Text- and media collages." Net Art Guide (Stuttgart, Germany: Fraunhofer IRB Verlag, 2000), pp. 46-47.
Gardner, David. "Macho Men/Violent Femmes." UCLA Festival '93 (Los Angeles: The University of California, Los Angeles, June 11-19, 1993), p. 19.
Garner, Jack. "Rochester Festival Brings in Films on a Shoestring." Democrat and Chronicle (Rochester, New York: May 2, 1991), p. 12-C.
Goldstein, Yosha. "Here's Looking at You." Afterimage, vol. 23, no. 2 (Rochester, New York: September/October 1995), p. 8.
Le Mezo, Ermeline. "Watching the Seams ­ Unravelling the Thread." WRO 99 -- 7th Media Art Bienalle -- The Power of Tape (Wroclaw, Poland: April 28-May 5, 1996), p. 109.
Leggett, Mike. Burning the Interface <International Artists' CD-ROM> (Sydney, Australia: Museum of Contemporary Art, March 27-July 14, 1996), pp. 82-83.
MWM Graphics. Wallspankers, no. 4 (Boston: Summer, 2007), p. 51.
Parent, Sylvie. "Language and Text." The CIAC's Electronic Art Magazine (Montreal, Canada: Centre International d'Art Contemporain de Montreal, December, 1999).
Putman, Wendy. "Another Night Out at Video In." Angles, no. 23 (Vancouver, Canada: November, 1992).
Saalfield, Catherine. "Videography." In Alexandra Juhasz, AIDS TV: Identity, Community, and Alternative Video (Durham, North Carolina: Duke University Press, 1996).
Sabal, Rob and Joanna Sabal. "Seeing the Light." The Independent Film & Video Monthly, volume 23, no. 7 (New York: August/September 2000), p. 71.
Soehnlein, Karl. "Unconventional Films and Videos Screen at New York Festival." The Advocate, no. 585 (September 10, 1991), p. 81.
Williams-Masson, Ellen. "Artists Do Their Part To Help Promote Peace." The Capital Times (Madison, Wisconsin: November 13, 2006), pp C1 and C3.


INVITED TALKS & PAPERS

2001Guest Speaker. The Upgrade at Eyebeam Atelier, New York.
1999Guest Lecturer. Online interface design. Art department, UCLA.
1998Guest Lecturer. "Digital Dialogues." Art Center College of Design, Pasadena, California.
1996"Self-Destuct Mechanism" (invited paper). The X-Factor Conference. An online symposium on experimental media. San Francisco State University, San Francisco, California.
1995Visiting Artist. "Candid Camera?" A conference on censorship and the limits of expression. Muzeum Kinematografii, Lodz, Poland.
1994Panel Participant. "Re: Acts. Visible Evidence II." An international documentary conference. University of Southern California, Los Angeles.

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